Skip to main content

The cemetery as a place of power

     Magic is often centered around location, especially places of power. Finding them, or making them. We do it when we follow the directions in old grimoires to go to crypts or wild places. As well as when we construct circles and sacred spaces in our homes or ritual spaces. We are setting aside a hallowed area for our work, a place to build force. A place of power. Some people find this place out in the forest, on the beach, in a church, their own personal temple, or other various locations. I found my place in a cemetery.

    A few years into college I began getting more into ceremonial style magic, and the construction of a ritual space became a prominent part of that. I tried out various styles of circle casting, from calling the corners to demonic conjurations for the directions. As I was learning to cast a circle I often found myself without enough space to operate in my dorm. At home in my bedroom I could do a make-shift set up, but here at school and after when I had roommates space was VERY tight. So I began working almost entirely outside. I'd go to wooded places, beaches, parks at night and various other spots near my school to practice. 

    After college I moved in with an old partner and happened to have an unmonitored cemetery near by. So this became my go to spot for practicing my witchcraft and any ritual work I had planned. Unknowingly I had created a habit of casting my circle in the same spot in the same way over weeks for various magical needs that arose. This connection with the land built up to the point where I felt a call and response in my environment. The spirits of the cemetery started to take notice of me and the work I was doing in their space, and eventually took active interest. It was at this moment that the way I saw the cemetery changed, it had become a place of power for me. I felt safe there at night now and didn't even pay attention when that switch in my brain happened. 

    My draw to this cemetery was purely circumstantial, and it being a good available working place for my craft. My practice has blossomed here, as most of my spirit court has come out of my work done on those grounds. As I reflect, you'd think based on my craft now that I had some kinda obsession with the dead, but that was never really the initial drive. I'd say that affinity has grown from this relationship with this location. Which I think in turn lends itself back to the cemetery becoming a focal point of me consistently.

    I've done some much circle casting and ritual work in that space that I no longer feel it's necessary there when I'm working at night. The space is liminal and separate enough without the pomp and circumstance of ritual that I can just begin the work that needs doing and get on my way. Keeping me from having to be out longer than I have too, avoiding any unwanted eyes. 

    Many things lend themself to doing magic in a cemetery. There's it's obvious connection with the underworld and the dead being a place we bury our deceased, but I also see my local cemetery as a place of living since many animals and plants call it home. It's large enough that I've seen coyotes, eagles, fireflys, and other little critters there, as well as variety of plant life. There are also the mourners and the workers in this graveyard who are characters of this space too. So I use this cemetery as an access point/nexus, through which i can connect with the land and it's spirits. I use the graveyard as as a point of communion, with the spirit of my city and other realms. 

    Another facet that gives power to my work is the emotional energy that pools in graveyards. Grief is a powerful experience that brings forth many emotions, and this cemetery holds children, veterans, and founding members of my town. So the psychic weight in this place can be heavy, loaded, and complicated. Which is something a skilled practitioner can draw on. I've also found that spirits from this graveyard love to feed on grand displays of emotion, joyous or sorrowful. So often I'll capitalize on that and use this was an emotional outlet that nourishes my spirits. Plus no one thinks twice of someone having a good cry in a cemetery.

     Through my time in this space I've built in a intimate connection with it as an access point for Spirit. Making it more than just a place of power for simply being a cemetery, it is truly a holy place set aside from others in my practice.

Comments

Popular

Creating a spirit womb

What is a Spirit Womb? A "spirit womb" is what I call a tool I use to bring spirits into this world. With the aid of this empowered bowl or pot you can give life to new beings, allowing them to be born into vessels in our realm. The bowl/pot should be about the size of a human head, or big enough to hold a small/medium doll. Smaller spirit wombs can be useful as well for birthing spirit seals, which can be put into spirit vessels, instead of whole vessels. Making a spirit womb: To prepare your chosen object wash it out with consecrated water, cleansing it of all it's pasts uses. Dry it out, and then fill the vessel with incense smoke and let it dissipate. Cover the vessel with a block cloth and let the object rest untouched for about a day. After at least a day as passed, bring out the vessel during a time when the sun is not shining or in a space where daylight can't reach. Bring the vessel to a cemetery, or bring cemetery dirt to the vessel. Fill the bot...

Introduction and Tools for the Book of Oberon

Introduction to the Book of Oberon This grimoire of Elizabethan magic is a great text for the moderately experienced to advanced practitioners of ceremonial magic. Or witches and cunning folk interested in applying some of it's prayers, conjurations, seals, and ritual methods. The edition I will be referencing for this series is the Joseph H. Peterson, Daniel Harms, and James R. Clark one. I may cross reference parts of this book with other grimoires. The Book of Oberon (or BoO) is first and foremost a text written to be used in practice. Being an amalgam of information from other occult texts and having some original works. Suggesting that the writer(s) of it were copying this knowledge and collecting it for later use. This work includes prayers and psalms, short rites and experiments in creation illusions, fantasies, acquiring treasure, angelic conjurations, ways of fumigating and blessing ritual tools, talismans, and infernal conjurations. As well as an office of spirits which i...